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Adrian Mackinder
I write and show off for a living.
Adrian Mackinder is a podcaster associated with Pazuzu Limited, where he engages in creative storytelling and entertainment. He has a notable presence on LinkedIn under the username adrianmackinder, where he showcases his professional background and projects.
Career Highlights
- Podcaster: Mackinder hosts a comedy podcast titled "What Are You Doing in Denmark?" which features various guests and discussions that blend humor with cultural insights. This podcast has gained attention for its unique approach to exploring life in Denmark.
- Performing Arts: Beyond podcasting, he is involved in performing arts, as indicated by his work on various performances listed on his personal website.
- Author: Mackinder has also authored works that may include themes explored in his podcasts, contributing to his multifaceted career in entertainment and media.
Online Presence
- LinkedIn: His LinkedIn profile provides insights into his professional endeavors and connections within the industry .1
- Personal Website: Mackinder maintains a personal website where he shares details about his performances and podcast series .23
- IMDb: He has an IMDb page that lists his contributions to media, further establishing his credentials in the entertainment field .4
Overall, Adrian Mackinder is recognized for his contributions to podcasting and performing arts, particularly through his engaging content that resonates with audiences interested in comedy and cultural commentary.
Highlights
Bit of a bucket-list thing for me happening in September, which I'm very much looking forward to. If you're in London in September, come up to Highgate Cemetery and join me for some tales from the crypt.
WHY THE DEBATE ABOUT "CROWD WORK VERSUS MATERIAL" IN COMEDY IS OLD AND NEEDS TO DIE.
This article in The Guardian is a bit of a non article, dredging up the tired debate about the role of crowd work over material in live comedy.
Specifically, that the myriad of crowd-work clips posted by comedians on social media has altered the comedy landscape for the worse.
This binary perspective on live comedy is irritating. There is room for both crowd work and material. There should be both. Most nights need both. Because crowd work isn’t better or worse than material. It’s just different. But just like material, you can have fantastic, one-of-a-kind crowd work and bad, lazy, hackneyed crowd work.
Also, this article doesn’t make the distinction between hosting and doing a spot. I would argue that the primary role of the MC is to make the crowd feel comfortable, part of something unique and know they can relax with a safe pair of hands. It’s also the role of the host not to try and outshine the acts who have meticulously prepared their sets. So crowd work is a more natural fit for the host.
When I’m hosting and I fall into do material, I feel I’ve cheated. Just a little. Similarly when crowd work happens that is unprepared but it drifts into things I’ve said before, largely because as people tend to give similar responses – especially when set up to do so. “Any students in?” “Anyone on a date tonight” being solid examples.
It’s like doing short form improv. As a performer, you feel a little dirty when you ‘improvise’ a line you’ve said before, merely because, again, people tend to give the same suggestions for short form games (pineapple, dildo, submarine etc). It’s our job as improv performers to be fresh and unique with every line or act out; it’s the same principle with crowd work.
Of course crowd work is a better fit for social media. A lot of scripted material leans heavily on structure: set up, pay off, repetition and call backs. Comics take their crowd on a journey. You can’t easily capture that in a thirty second clip. But I also think it’s a shame that the dominance of crowd work on this social media landscape has distorted the perception of what a live comedy experience is. I’ve heard tell of people turning up to a comedy chow, having only been exposed to social media soundbites, expecting just crowd work, and being disappointed when they see comics not talking to them as they perform their act.
Back to improv. Crowd work is the perfect use of improv in a stand-up setting. As someone who has been doing both for years, I can say with confidence that they utilise different parts of the brain. Improv requires being completely present and in the moment, actively listening to everything being said and reading the room. Improv isn’t about you, it’s about everything that’s going on around you...
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