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Brendan Vaughan
Creative Leader, Editor, Content and Media Strategist
Brendan Vaughan is a seasoned media professional with over 25 years of experience in journalism and editorial leadership. He is currently serving as the Editor-in-Chief of Fast Company, a position he has held since July 2022. Prior to this role, Vaughan was a Senior Editor (Contract) at The Atlantic from July to December 2021, where he focused on the Ideas section, overseeing essays and features related to politics, the economy, and cultural issues.12
Career Highlights
- Fast Company: As Editor-in-Chief, Vaughan leads editorial strategy and content development for the publication, which focuses on business innovation and leadership.
- Insider: Before joining Fast Company, he was the Deputy Editor at Insider, where he managed a team dedicated to longform journalism and news analysis.12
- Medium: He served as the founding Editor-in-Chief of GEN, a publication on Medium, where he significantly increased traffic and reader engagement.2
- GQ Magazine: Vaughan was the Executive Editor, contributing to the magazine's most successful period in terms of profitability and editorial acclaim.2
- Esquire Magazine: He also held roles at Esquire, including overseeing its 75th Anniversary issue and managing significant editorial projects.
Education
Vaughan graduated with dual bachelor's degrees in Journalism and History from Syracuse University, which laid the foundation for his successful career in media.2
Skills and Expertise
Vaughan is recognized for his strategic vision in media, ability to lead creative teams, and expertise in longform journalism. His work has consistently focused on blending compelling storytelling with critical analysis of contemporary issues in business and culture.2
Highlights
The Fast Company #FCFestival wrapped up yesterday, and I was privileged to close out the event with a panel featuring Netflix chief content officer Bela Bajaria and producer Eric Newman (Narcos, The Watcher, Painkiller) who works exclusively with Netflix. His next project is Griselda, the story of Griselda Marcos, the “Godmother” of the Colombian drug trade. The teaser had dropped dropped earlier that day, and we played it for the audience.
It was a terrific conversation but in some ways an awkward moment to be having it. In the hours before and after, news was bubbling out of Hollywood that the studios and writers were making significant headway in their negotiations, raising hopes that the writers’ strike might soon be over. In the meantime, here is what Bajaria had to say about Netflix’s position on the state of things:
“I want to be absolutely clear that this is not the outcome that we wanted as a company. None of the companies in the AMPTP wanted this outcome. It has been a hardship on everyone… Right now, the focus is to find a resolution and get everybody back to work as fast as possible, because that is going to be the thing that will continue a healthy ecosystem in Hollywood and around the world.”
Newman recently launched Painkiller — the latest telling of the Sackler family, OxyContin, and the opioid crisis — without promotional support from actors.
“It was challenging for sure,” he said. “It's not controversial to say that we all need each other in this business. We're interdependent. The marriage between art and commerce is as old as filmed entertainment. And it has always been, for the most part, a good relationship. We need our cast to go out into the world and sell our shows. And it's disappointing to various news outlets and talk shows when they think they're gonna get Matthew Broderick and they get me [laughs], and I'm okay with that. But we were fortunate in that, unlike a lot of other shows that really live and die on their cast, we were an issues show… The strike made it hard, but not impossible. I'm really encouraged by what we're hearing from Hollywood right now, that there seems to be some progress, because as Bella said, it's been hard on everybody.”
