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Danielle Sacks
Senior Features Editor at Bloomberg Businessweek
Danielle Sacks is an award-winning editor and writer with a distinguished career in business journalism. She is currently the Senior Features Editor at Bloomberg Businessweek, a position she has held since May 2021. Recently, she was announced as the new editor of Bloomberg Businessweek, marking a significant leadership role in her career.12
Career Highlights:
- Bloomberg Businessweek: Sacks joined Bloomberg News and has been instrumental in editing ambitious feature and investigative work.3
- Medium: She served as Editor-in-Chief of Marker, Medium's business publication, from February 2020 to April 2021, and as Executive Editor from August 2019 to January 2020.13
- Inc. Magazine: Sacks was Executive Editor from March 2018 to July 2019 and Senior Editor from May 2015 to February 2018, where she led prominent editorial packages like the State of Women and Entrepreneurship.13
- Fast Company: She worked as a Senior Writer from May 2010 to 2015 and earlier as a Staff Writer and Researcher/Reporter from 2003 to 2009.14
Education:
Danielle Sacks holds a Bachelor of Arts in English & Journalism/Creative Writing from Rutgers University.1
Awards and Recognition:
Sacks has received the New York Press Club Nellie Bly Award in 2006 and her work was included in the Best Business Writing 2014 anthology.3
Highlights
I was thrilled when Matthew Boyle pitched me this Bloomberg Businessweek story, which is part industrial design-tale, part weird industry deep-dive, part culture study, and part parable for what even is the office in 2024.
"Steelcase thinks it’s finally developed the Aeron killer with the Karman, a $1,072, 29-pound ergonomic beast named after the astronautic frontier called the Kármán line, the imaginary boundary 62 miles above sea level where the Earth’s atmosphere meets space and weightlessness kicks in."
Beef. Past Lives. Everything Everywhere All At Once. Euphoria. There are no greater indie masters of hipster cringe than the New York film company, A24. In Bloomberg Businessweek's latest cover story, Felix Gillette gets a rare, behind-the-scenes look at the enigmatic company that unbeknown to most, took $225 million in private equity backing at a $2.5 billion valuation. Now it's making the risky move of trying to become the next Hollywood juggernaut—action flicks, reality TV, franchises—at the very moment the entertainment industry is retrenching.
"North of 60% of the people that go to see an A24 movie in a theater go because it’s an A24 film...Basically, A24 and Disney are the only two companies that test that way.”
