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David Herrin

Founder, The Quorum

David Herrin is a seasoned professional with a background in data-driven research and analysis, particularly in the entertainment industry. He has a passion for uncovering insights from Big Data and studying shifts in consumer behaviors.

His expertise lies in digital strategy, quantitative and qualitative research, forecasting, predictive analytics, and competitive analysis. David has a history of success in providing data-driven insights for film, television, and digital media.

He is the innovative mind behind PreAct, a tool developed to track social media impacts on new movie releases, which garnered attention and recognition, including a feature in the New York Times.

David Herrin is a respected thought leader, having shared his knowledge and insights as an adjunct professor at USC and as a panelist at various industry events such as South by Southwest (SXSW), Consumer Electronics Show (CES), and more. He is known for being a 'data-wonk' and a compelling storyteller with a strong presence in the east-coast.

Through his educational background with a Bachelor of Art in History from the University of Pennsylvania and a Master of Business Administration in Statistics from Villanova University, David Herrin has equipped himself with a diverse skill set to drive data innovation.

During his tenure at organizations like The Quorum and United Talent Agency, David held key positions such as TQE#1, Head of Content Analytics, and Head of Research, showcasing his ability to lead and contribute effectively both individually and as part of a team.

Highlights

Feb 5 · linkedin

Neon’s Brilliant Breadcrumb Campaign For LONGLEGS Proves That Sometimes Less Is More

We love it when studios take an unexpected approach to film marketing. It needs to be recognized and celebrated. To that end, Neon is doing a masterful job unspooling its July release LONGLEGS.

Twenty years ago, horror campaigns were fairly plug-and-play. Studios assumed that there was a finite audience for the genre, so there was no need to do long-lead marketing. Throw some money at it two weeks before release, and you’re good to go.

Thankfully, that’s not the case anymore. There is no better example of that than Neon’s deeply unsettling campaign for LONGLEGS. We mean that as a compliment.

So far it's paying off. At The Quorum, the four key tracking metrics show that the film is performing quite well. Interest in the movie is at 49%, which is easily above the average of 39% for other horror films at the same distance from release. It’s also well above the average in location and fee, meaning people are willing to pay to see the movie in a theater.

See full story here: https://bit.ly/3w5TznN

Sep 22 · linkedin

All Eyes On Disney This November

Is it possible that Disney had its Icarus moment in 2019? The Mouse House became the market share leader in 2016 and 2018 thanks to the 1-2-3 punch of Pixar, Star Wars, and Marvel. In 2019, Disney was so dominant domestically that, at 35%, its market share was more than double the next closest studio (Universal, 14%). Think about that. Essentially, one out of every three tickets sold was for a Disney film.

Then came Covid, and since then, the studio has been unable to find its footing. Or at least that’s the popular narrative.

There’s no denying that the once unflappable studio has made several unforced errors. Audiences completely abandoned STRANGE WORLD. INDIANA JONES AND THE DIAL OF DESTINY had a hard-to-justify budget near $300M. And THE HAUNTED MANSION was never going to work wedged between BARBIE the week before and TEENAGE MUTANT NINJA TURTLES: MUTANT MAYHEM the week after. MANSION was unenviably tasked with peeling off the family audience from BARBIE before losing them a week later to the TURTLES.

With that in mind, Disney has the opportunity to change the narrative in the next few months. On the 20th Century Studios side, THE CREATOR is struggling with awareness, and THE BIKERIDERS looks to be a modest prestige play. But on the Disney side, it has two remaining 2023 films (THE MARVELS, WISH) and both offer the greatest opportunity for the studio to show it’s still got its mojo.

How are these two films tracking? Read the full story here: https://bit.ly/3ZwDcLB

David Herrin
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Location

Beverly Hills, California, United States