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Jessica Sier

Journalist

Jessica Sier

Jessica Sier is an economics and technology journalist based in Tokyo, Japan. She currently works as the North Asia Correspondent for The Australian Financial Review, a position she has held since April 2024.12

Prior to her current role, Jessica worked as a Technology Journalist for The Australian Financial Review in Sydney from June 2021 to February 2024.1 She has also held positions as a freelance Journalist and Content strategist from August 2020 to June 2021, and as an Automotive Journalist at Dow Jones in Berlin, Germany from February 2020 to August 2020.1

Jessica has a Bachelor's degree in Journalism and has worked in various media roles over the years, including as a Markets reporter, Video journalist, and Investor Relations professional.1

You can connect with Jessica Sier on LinkedIn at https://www.linkedin.com/in/jessica-sier-6ba9573a1 or reach her via email at jessica.sier@afr.com.3

Highlights

Aug 30 · linkedin

In Sydney, whenever I was feeling a bit lonely or bored, I'd pop down to the pub.

I'd order a pint and strike up a conversation with other bar flies wiling away the hours.

In Tokyo, my Japanese is so miserable the locals beg me with their eyes not to speak with them. And besides, the "pub culture" doesn't really exist like it does in Australia.

Fortunately, I've recently discovered listening cafés, or "kissa".

These tiny bars, hundreds of which are dotted around Tokyo, are for concentrating on absorbing music. They are not for chatting; they are not for eating.

They are for listening to records piped through elaborately set-up stereo systems that range as widely as the genres of music their owners have spent lifetimes collecting on vinyl.

I interviewed music devotee and director Nick Dwyer, who has just screened his six-part documentary on Japanese "kissa" culture.

Since we met -- over a vape at the Eigakan Jazz listening café in Bunkyo -- I've visited one of these delightful venues at least once a week.

I get to be surrounded by quietly drinking strangers without the pressure of having to speak to them. Everyone’s a winner.

Here’s a story about Nick’s documentary and some of the kissas I’ve been frequenting.

https://lnkd.in/gb5KiSb4

Aug 1 · linkedin

On Tuesday, I watched Penny Wong’s slick, black motorcade pull away from me on the border of North and South Korea. My stomach sank.

I had just stepped out of a black van, after a tense ten minutes interviewing the Foreign Minister on how dangerous the nuclear-armed despot running North Korea was. The despot who ran the country less than two kilometres from where I was standing.

As my shoes hit the steaming asphalt, I realised I was clutching just my notebook and phone. My bag, which housed my laptop and my passport, was nowhere in sight.

I had memories of it leaning against a chair during Wong’s press conference at the DMZ, the weapons-free buffer between North and South Korea.

As I stammered out my confession: I’ve forgotten my bag, ten pairs of blank, serious eyes swivelled to look at me.

The motorcade was already 15 minutes behind schedule, and the Foreign Minister was due back in Seoul for an estimated 12,000 bilateral meetings and a working lunch. There was no way they were turning back to get the journalist’s bag.

As I stood by the side of the road, wishing the ground would swallow me whole, phone calls were made. Orders were barked. Defence force personal materialised from thin air to protect the motorcade.

“Okay, the boys will bring it down from the DMZ and they’ll drive you back to Seoul,” I was told. My feeble gratitude was drowned by a flurry of movement as the motorcade sprang into life.

Lights flashed, security personal slammed doors, and within seconds, six black cars snaked away from me and headed for the freeway.

I watched them leave, glad my mother had no idea where I was or what an arse I’d just made of myself.

And then I wrote this story:

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Jessica Sier
Jessica Sier, photo 1
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Location

Sydney, New South Wales, Australia