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Jonathan Caras

Head of Communications

Jonathan Caras is a versatile technologist with a diverse range of experiences and expertise spanning over 18 years. He has a strong background in technology solutions, crypto trading, blockchain, and token economics. Jonathan is known for his work in enhancing security, privacy, and transparency in the crypto trading market.

At Starkware, Jonathan plays a key role in revolutionizing the crypto trading space. Additionally, as a partner and CTO at Lionschain Capital, a crypto-focused hedge fund, he is actively involved in the financial aspects of cryptocurrency.

Previously, Jonathan served as the CTO of Craze, where he collaborated with Kim Kardashian on the development and launch of the visual app Screenshop. He co-founded Glide in 2012, holding positions as CTO and COO, leading a large team and driving the company's mission of facilitating authentic communication through technology. His leadership resulted in millions of active users on the Glide app worldwide.

Jonathan's entrepreneurial journey began in 2008 when he founded appSTUDIO, a pioneering mobile-focused software design and development studio in Israel. He led the team in creating numerous engaging and intuitive mobile applications for Android and iOS platforms.

An accomplished presenter, Jonathan has shared his expertise on technology and culture at international events in various cities worldwide. He is actively engaged in the startup community through mentorship, accelerators, hackathons, and meetups, nurturing the next generation of tech enthusiasts.

Jonathan Caras holds a degree in Computer Software Engineering from the Jerusalem College of Technology, with a solid educational foundation in computer science and software development.

Throughout his career, Jonathan has held key positions in notable organizations, including CEO of Phobos Development, Head of Communications at a Blockchain startup, Chairperson of the Technology Committee at Judea and Samaria Chamber of Commerce, and various roles at Lionschain Capital, StarkWare, and Glide.

Highlights

Feb 20 · twitter

At ETH Denver.

I was at an event tonight surrounded by artists. a lot of NFT artists, plus people working in more traditional mediums. I got into a conversation with a guy who does woodworking. He designs these really intricate pieces and uses a robot he programs to carve them out. Super cool stuff.

So I asked him if he’d ever looked into AI tools that can generate designs, turn them into 3D models, and then into files you can actually print or machine. It felt like a pretty obvious extension of what he was already doing.

He immediately shut it down. Said he would never let AI design something for him. The whole group kind of nodded along. The vibe was very “AI art is fake art.”

I told them I completely disagree.

To me, art is about the experience of the person consuming it. It doesn’t matter whether the creator is alive, dead, human, machine or whatever. What matters is whether it moves you. If it makes your feel something.

If I hear a song that takes me back 20 years. to when I first met my wife, or a moment with my kids. I don’t care whether that violin was recorded live or generated digitally. The emotional response is real either way. That’s what makes it meaningful.

I said the backlash against AI feels more economic than philosophical. For a long time, creating art required years of training, time, money, access. Those barriers protected a certain group of people. AI lowers those barriers dramatically. Now anyone can take what’s inside them and turn it into something beautiful without mastering oil painting or spending 10,000 hours on an instrument.

That creates competition. And when barriers fall, people get uncomfortable.

In our lifetime, the biggest songs, movies, maybe even paintings are going to be AI-generated or AI-assisted. That doesn’t mean humans stop creating. It just means the landscape changes. You can hate it, but it’s kind of like yelling into a hurricane.

The room did not love my take.

I don’t think I’ve ever felt that disliked in a group conversation before. But I walked away feeling like the resistance isn’t really about “what is art.” It’s about what happens when the gate disappears.

And that’s always uncomfortable.

At ETH Denver. 

I was at an event tonight surrounded by artists. a lot of NFT artists, plus people
Jun 20 · twitter

Onion and garlic

Jonathan Caras
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Location

Jerusalem District, Israel