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Judith Gruber-Stitzer
film composer / scored 3 Oscar nominated films, including one that won the Palme d'or in Cannes / member Academy of Motion Picture Arts and Sciences / Sundance Film Festival 2018 ASCAP featured film composer
Judith Gruber-Stitzer is a Montreal-based film score composer with an impressive career in the film industry.14 She has composed music for several critically acclaimed and award-winning films, including a Palme d'Or winner and three Oscar-nominated films.14
Career Highlights
Gruber-Stitzer's work has garnered significant recognition in the film industry. Her compositions have been featured in:
- An Emmy-nominated film1
- Three Oscar-nominated films1
- A Palme d'Or-winning film at the Cannes Film Festival14
Notable Works
Some of Judith Gruber-Stitzer's notable works include:
- "Animal Behaviour" (2018)2
- "Wild Life" (2011)2
- "Above the Drowning Sea"2
- "When the Day Breaks" (Palme d'Or winner and Oscar nominee)6
Style and Approach
Gruber-Stitzer is known for her eclectic style, which varies depending on the films she scores.3 She has developed a special affinity for auteur animation, having composed scores and created sound design for over 20 National Film Board of Canada titles.7
Professional Associations
Judith Gruber-Stitzer is a member of the Academy of Motion Picture Arts and Sciences3, which further solidifies her standing in the film industry.
Early Career
Her career as a film composer began with "Basements," a feature film directed by Robert Altman. This project comprised two short films: "Dumb Waiter" and "The Room".5
Judith Gruber-Stitzer's diverse body of work and numerous accolades demonstrate her skill and versatility as a film composer, making her a respected figure in the industry.
Highlights
A Snowden-Fine National Film Board of Canada film that I scored, Animal Behaviour, will be playing at the Academy of Motion Picture Arts and Science museum's fabulous state-of-the-art theatre. I would love to hear how it sounds there. Maybe I should move to L.A. 😀
Friday I went to a screening of 'Maboungou: Being In the World' at the Rendezvous du Quebec Cinema festival. I had composed the music and done the sound design for this doc that pays tribute to Zab Maboungou's extraordinary dance career. Directed by Marlene Millar and Philip Szporer, the film is a montage of interviews and archival footage. My goal for the soundtrack was to weave together the edit, adding missing bits of archival music and sound and creating an original score that supported the fabulous percussion and music that Zab's shows feature. It was the kind of sound puzzle that I love! As I sat in the audience I found myself smiling for most of the screening, pleased to see Zab on the big screen. She looked great and the film sounded pretty fine, too:)
