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Katie Dreke
Founder & CSO | former: Nike, Droga5, adidas, W+K, IDEO
Katie Dreke is a prominent Global Strategy & Innovation Consultant currently leading initiatives at DRKE, a consultancy focused on creating impactful brand experiences through systems thinking, digital transformation, and storytelling. With over 25 years of experience in the industry, she has worked with some of the world's most influential brands, including Nike, Adidas, and Droga5.14
Professional Background
- Current Role: At DRKE since January 2021, Dreke specializes in bridging various aspects of brand strategy to foster emotionally resonant and financially viable experiences.14
- Previous Experience:
- Nike: Senior Director of Global Concept Development for Nike Women, where she played a key role in shaping brand strategies.24
- Adidas: Global Head of Digital Strategy & Integrated Media.4
- Droga5 and Wieden + Kennedy: Held strategic planning roles that emphasized her versatility across different sectors.234
Skills and Expertise
Dreke is recognized for her ability to:
- Integrate diverse insights across regions and consumer groups.
- Navigate the complexities of digital experiences and direct-to-consumer business models.
- Foster innovative thinking to address future uncertainties in marketing and branding.13
Educational Background
Katie Dreke is originally from Seattle and graduated from the University of Washington. Her career has also included international roles, notably in the Netherlands and Australia, reflecting her culturally nuanced perspective on global branding challenges.34
Personal Philosophy
Dreke advocates for brands to be future-focused, emphasizing ethical design principles that contribute positively to society. She believes in the importance of operationalizing creative ideas to ensure they translate into meaningful outcomes.34
Highlights
LOOKING BACK TO LOOK FORWARD -- Gabrielle Miller is a 31-year-old diver and maritime archaeologist, and she leads the Slave Wrecks Project, a Smithsonian effort to study the global slave trade by excavating sunken slave ships.
This work ignites countless tensions and contradictions: “The water is both a source of healing and a site of terror, a cradle of freedom and a resting place for death, a harbinger of disaster and a place of shelter and safety.”
And while the research is rooted in atrocities of the past, Miller is clear: This is about the future and making sure nothing like the transatlantic slave theft happens again.
“As a scholar engaged in this work, and as one of the very few Black archaeologists in the world—especially those of us who dive and study the Black Atlantic—I can’t think of a single one of us who doesn’t speak about how deeply this work is connected to our own ancestral practices. It’s about paying homage to those who came before us and seeking justice for those whose voices and stories have been reduced to mere commodities.” In June, Miller helped lead the second session of the Slave Wrecks Project Academy in Senegal, where students dove off the coast of Gorée Island, once the largest slave-trading hub on the African coast. “People were tossed overboard like refuse. Many died on the voyage and became a permanent part of the sea. So, when we excavate, visit, and monitor these shipwrecks, I don’t think many people realize that we’re standing in a graveyard,” she said.
The work of scholars then, of divers and artists like Miller who are tasked with uncovering the horrific realities of the transatlantic slave trade, is vital to prevent such catastrophes from recurring. History tends to repeat itself unless we confront it directly and acknowledge the hauntings it leaves behind.
“I’m not chasing utopia; I’m chasing wholeness and power. Every narrative I explore, no matter how far back I go, involves catastrophe. But what I’m really interested in is what comes next—how we survived. We’re still here, so what happens after the disaster?”
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