Sign In

Rochelle Udell

Artist and Speaker

Rochelle Udell is a highly accomplished individual with a diverse background in the creative industry. She studied at Pratt Institute and has held various key positions in renowned organizations. Rochelle Udell is currently an artist and speaker, showcasing her talents and expertise. Previously, she served as the Senior Vice President and Creative Director at Chico's FAS Inc., demonstrating her leadership and creative skills. Additionally, Rochelle Udell was an adjunct faculty member at the Fashion Institute of Technology, contributing her knowledge and experience to the next generation of creatives.

Highlights

Aug 27 · linkedin

EMOTIONAL SPACE—ROCHELLE UDELL GOES TO HER ROOM   As an eighth grader, our social studies teacher introduced us to The New York Times and taught us how to fold the 24” x 30” broadsheet newspaper so it could be easily read on a crowded subway. Space has always been a consideration in New York City, as well as a love of the daily newspaper. From the time I was in the second grade, my father would put seven cents in my palm, fold my fingers around the coins and send me across the street to purchase The Forward, the Yiddish daily newspaper. It was his moment to take in new perspectives and reflect on them at his own pace. By ninth grade, I’d rush to the local newsstand on Saturday night to get an early copy of The Sunday Times because it had extensive real estate listings with floor plans.   This was my escapist reading. I’d use the plans to fantasize about where I’d put my imaginary furniture in my imaginary room. At the time, our family lived in a small apartment on East Fifth Street and Avenue L in Brooklyn. I slept in the living room on the miraculous, space saving, Castro convertible sofa. Every evening and morning, I enacted being Bernadette Castro, starring in a commercial for the Castro Convertible, demonstrating how easy it was to use the disappearing bed. This was happening while I was longing for a room of my own, where I could close the door.   Since real estate listings went digital, I escape into HGTV, but struggle to emotionally connect to the popular “open plan” concept of houses and apartments. I appreciate others need for flow, keeping an eye on children and having more seating available for entertaining. I understand and appreciate how the open plan helps a small space feel larger and the television designers do a great job making it all look cohesive. I almost get the connection of an open space dining room combined with the kitchen, but I can’t get the kitchen and dining room connecting to the living room (my former bedroom.)

To read the full story: https://lnkd.in/e7ZTZxTq

Aug 10 · linkedin

TIME TO GET OVER IT—ROCHELLE UDELL SAYS NO   It took me fourteen years to process my father’s death so that I could actually begin to say goodbye to him, and I did it in a dream. The dream: My father and I are on a small, old yellow bus traveling down a dusty road in a warm, sunny yet desolate place. The bus stops. I get off; my father doesn’t. I wave as the bus drives away. In my End-of-Life Doula course, I learned that this is delayed grieving. When my sister was dying and continued to rally, I had written four different eulogies after each dramatic rush to the hospital. This is known as anticipatory grief. I was consumed by guilt and relief with each episode.   In the Doula course, we studied Kubler-Ross’ landmark book On Death and Dying, focusing on the five stages: denial, anger, bargaining, depression and acceptance. Grieving is complicated, and loss—whether it’s a person, job, money, pet, youth, marriage, fertility, the planet, you name it—is about a relationship that identifies us.   As universal as grieving is, it is also individual and each of us adapts uniquely. There is no one-size-fits-all grieving process. It is not easy to “put it behind me” or no “time to get over it.” Or to deny feelings. They are there, somewhere inside. Denial can be seemingly comfortable, but in time, the truth helps us hear around a corner, where what’s next lives.   I have found that ritual sometimes can be helpful to bridge the gap between what was to what is now and will be next. As a Jew in mourning, I wore a kriah, a piece of black ribbon that is cut or torn, a tangible symbol of loss and grief. I wore it at the end of my parents’ funerals and wore it when I was divorced in a religious ceremony. I also find crying is useful.

R
Add to my network

Location

New York City Metropolitan Area