Suggestions
Romy Nehme
Brand Strategy, Integrated Marketing and Fan / Audience Development Consultant
Romy Nehme is a seasoned professional with over 15 years of experience in various sectors, including sports leagues, social media agencies, and civic media properties. With a blend of creativity and strategic thinking, Romy has contributed to the growth of brands for Fortune 100 companies, startups, and the sports & entertainment industry. Romy holds a Master's degree in Sport Management from UMass Amherst and a Bachelor's degree in Mathematics from the University of Ottawa. Throughout his career, Romy has held key roles such as VP, Head of Brand, Digital Marketing & Experience Strategy, Brand Strategy and Curation Lead, Member of Audience Strategy & Emerging Trends, Principal of Strategy Design, and more. His expertise spans brand strategy, digital advertising, and emerging technology, making him a sought-after professional for innovative projects. Romy is passionate about collaborating with individuals and organizations that aim to bring new ideas to light, particularly in women's sports, new leagues, business models, and empowering players' voices through innovative platforms.
Highlights
Everything is interesting. Nothing is useless.
This is the mantra I return to in those in-between times when possibilities are endless, but the boundarylessness can feel daunting.
On Monday evening, I was invited to Lance Weiler’s Immersive Adaptation RFP (request for prototype) class to share frameworks for social transformation and help his students workshop their ideas. Lance is the founder of the Columbia Digital Storytelling Lab, of which I’ve been a member since 2018.
I found Lance after leaving VaynerMedia, where I’d grown the research & strategy team from 0 to 25 brilliantly unique humans. It’s sometimes hard to articulate your value once you’re no longer embedded within an institution — and I was in search of my theory of change, one that went beyond the oftentimes shallow methods of advertising.
In 2015, I started attending the Eyeo Festival, which convened “artists, creative coders, data visualizers, open source instigators & makers” for a week full of events held in the most beautiful venues across Minneapolis. I was technically none of those things, but I was so drawn to, and animated by that community’s work – equally humanistic and technically breathtaking, and always aimed at offering alternatives to culture’s more capitalistic and extractive applications of tech, design and data. I knew I belonged there, but I wasn’t quite sure why or how yet.
I’d always come back from that week buzzing, bringing goodies back to my team like a hunter gatherer. Little did I know that that would lead me to the Columbia Digital Storytelling Lab, or to curating a festival for New_ Public in 2020 where I got to commission many of those same artists I’d met at Eyeo...
All things that to me, were seemingly “useless” at the time, but massively interesting.
+++
Against the backdrop of books and libraries being deemed “useless” in today’s out-of-balance environment (library funding slashed, books banned), I’m energized by Lauren Groff’s new indie bookstore, The Lynx, which is a full service bookstore with an emphasis on banned books. I found myself excited to donate to it even though it’s in Gainesville, FL. Groff, with the support of a group of authors, ran a most enticing fundraising campaign. It’s funded by a community of people who now feel a part of the future of this little but mighty bookstore. As far as I know, it doesn’t go as far as a cooperative model of ownership but it will hopefully inspire other cities facing the same issues as Gainesville.
Artists are our flashlights in dark times, they illuminate ways of being that model what could be. They also do the important work of making vivid what might otherwise become if we continue down a path of moral decay.
So, this missive is in praise of “the useless, which produces that which is most useful to us, which is created without shortcuts, without saving time, over and above the mirage created by society”.
What “useless” idea or innovation has caught your eye recently?
