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Scott McConnell
Story consultant and former producer helping screenwriters and producers to develop resonant scripts. Book a Story Consult now. Screenwriter.
Scott McConnell is a Melbourne-based writer and story consultant known for his work in script analysis and development. He began his career in Los Angeles as a story analyst, where he evaluated scripts for notable figures and organizations, including Roger and Julie Corman, Samuel Goldwyn, and the Sundance Institute. McConnell has extensive experience in television and documentary production, having served as the showrunner for the nationally syndicated talk show Live Life and Win! and co-writing the reality series Hollywood Boot Camp.
In addition to his production work, McConnell focuses on script fixing, helping writers and production companies refine their stories by emphasizing themes and dramatic ideas. His insights and analyses have been published in various outlets, including Script, Creative Screenwriting, and The Guardian. He is also a member of the Producer's Guild of America and the Australian Film Institute (AACTA) .12
He runs the "Story Guy Newsletter," which offers actionable writing tips for screenwriters and producers, aiming to enhance their storytelling skills .234
Highlights
The Basics Of Film Screen Credits
BySchuyler Moore
Friendships end over it, partnerships dissolve, and battles rage. More acrimonious fights are fought over who gets what credit, and in what order, than over any other issue in the film industry. Let’s look at what the fuss is all about.
Click the link to read more https://lnkd.in/gDHh6AuU
#filmproducer #producer #screenwriter
Six Questions to Help You Plot a Compelling Story! As subscribers to my Story Guy Newsletter will know, I am a great believer in the adage: Ask the right question and you get the best answer.
Here are six questions for you to ask to help you learn plotting:
1) To develop your story concept into a plotline, ask questions of it. That is, milk your central conflict by seeing implications for conflicts and events in it. One such specific question: Who is the worst antagonist for this protagonist?
2) To get your plot climax, ask of your protagonist and his main goal/problem: What is the worst thing that can happen to him/her?
3) Escalate your protagonist’s main conflict by asking: How does this problem get harder and harder during the story?
4) Do the conflicts of the protagonist and antagonist clash back and forth like a tennis match?
5) What is the worst choice your protagonist has to make? How does he struggle between these two options?
6) How does everything in your plot drive towards the act and sequence climaxes? To stress my main point:
Plotting is developing your central conflict into a logical and dramatic series of connected conflicts/events that drive to a climax. If you don’t have this type of structure, your story will most often be illogical, flat, and contrived. If you have a great story concept and do develop it into a plot, your chances of having a compelling and resonant script are much higher. Plot that course.
To read the full article and others like it click the link below in the comments box. #WritingTips #Entertainment #Screenwriter
