Suggestions
Shelley Smith
PhD Program in Preservation Studies University of Delaware
Professional Background
Shelley Smith is a distinguished conservator with a robust background in Jewelry and Metalsmithing, combined with a specialized focus on art conservation. Her impressive career has flourished across various leading institutions in the United States, where she has applied her skillful expertise in preserving valuable works of art. With an extensive portfolio that includes high-profile projects such as conserving 104 bronze sculptures by the renowned American sculptor Malvina Hoffman at The Field Museum in Chicago, Shelley has made significant contributions to the field of art conservation.
Her career has been marked by her dedication to the conservation and restoration of art pieces, ensuring that they are maintained for future generations to appreciate. She has held various key roles in prestigious organizations, demonstrating her versatility and depth of knowledge in the field. As an Associate Conservator at The Field Museum, Shelley utilized her masterful understanding of metal alloys and chemical processes to safeguard and enhance the integrity of bronze sculptures. Her background and experience make her an invaluable asset to the art conservation community.
Education and Achievements
Shelley’s academic journey laid a solid foundation for her successful career in art conservation. She earned her Bachelor of Fine Arts (BFA) with a focus on Jewelry and Metalsmithing from the Alberta College of Art in Calgary in 1996. This program ignited her passion for the chemistry of metals, which she later dove deeper into during her Master of Art Conservation (MAC) degree at Queen’s University in Kingston, Ontario, which she completed in 2003.
In addition to her formal education, Shelley broadened her international experience through an exchange program in Metal and Jewelry Arts at the prestigious École supérieure des arts décoratifs de Strasbourg, France. Her commitment to understanding both the artistic and scientific aspects of materials informs her approach to conservation work, allowing her to develop innovative techniques to preserve art pieces effectively.
Over the years, Shelley’s appointments have included prestigious roles such as Project Conservator at the Cooper-Hewitt, National Design Museum, and Objects Conservator at The Menil Collection, among others. Each position afforded her the opportunity to refine her skills and expand her knowledge base while working with diverse collections and varying types of art.
Notable Contributions
Shelley’s extensive career includes notable achievements across multiple conservational projects and institutions. Her experience at the Judd Foundation, The Menil Collection, and The Field Museum highlights her ability to manage complex projects, specifically focused on the intricate needs of sculpture preservation.
In her role at the Doris Duke Collection Project at the Asian Art Museum, Shelley engaged with a variety of culturally significant artworks, implementing methods that respect their original intent and artistry. Furthermore, her fellowship work at multiple branches of the Smithsonian Institution underscores her commitment to advancing the field of art conservation while collaborating with leading experts in the field.
Her dedication to understanding materials and their reactions has led to innovative approaches while working within the constraints of various types of media and artworks. As a former metalsmith and jeweler, her practical experience has endowed her with a unique viewpoint that she integrates into her conservation practice.
Conclusion
Throughout her career, Shelley Smith has established herself as a leader in the field of art conservation, combining artistic intuition with scientific proficiency. Her academic background, paired with her vast professional experiences, has empowered her to make a lasting impact on the conservation of art and artists' legacies. As she continues to engage with new projects and challenge her skills, Shelley remains an inspirational figure in both the conservation and artistic communities.
