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Suresh Surenthiran

Innovation Strategist - Futurologist - Digital Architect - Disruptive Innovator - Digital Platform Architect - Scientist - Cryptonomist - Transhumanist

Suresh Surenthiran is an accomplished Broadcast Technologist, Visual Communication Designer, Media Strategist, Futurist, Digital Developer, and Broadcast Engineer with a keen interest in revolutionizing industries through digital technologies.

With a Master's in Design, Suresh is actively engaged in social networking and advocating for exponential dissemination of knowledge, particularly in the realm of digital media and technology.

His vision extends to space exploration, believing in the potential of humans as an interplanetary species, and he promotes open society values and 10x principles.

Suresh envisions a future where smart learning and Artificial General Intelligence (AGI) will reshape our lives, emphasizing the importance of open data and knowledge in driving significant paradigm shifts.

A pioneer in the field of digital media, Suresh excels in open network media delivery, artificial intelligence media networks, content automation, video broadcasting platforms, media asset management, streaming platforms, cloud technologies, and machine learning.

His expertise ranges from managing technologies in the Hybrid Era to foreseeing a future where robots are integral in societal interactions, healthcare advances enhance physical capabilities, and academic qualifications transition into digital skills markets.

Throughout his career, Suresh has held various roles in prestigious organizations, including FHNW Academy of Art and Design, Hadornprojects, Lichtfeld Gallery, Filter 4, DIYROCKETS, and Ringier AG, demonstrating his versatility and leadership in digital media strategy, technology, and engineering.

Highlights

Mar 9 · linkedin

Digital Tears and the Quest for Transcendence: Love's Role in Navigating Life's Suffering

In the realm of digital #connection, "Say I'm Crying" presents a poignant contradiction—a moment of vulnerability captured and shared through technology, a "digital tear" shedding light on the interplay between human emotion and virtual spaces. This scenario prompts reflection on technology's role in framing our #experiences of sorrow. It begs the question: does witnessing grief through a #digital lens dilute its rawness, or does it foster a form of detached observation?

The narrative acknowledges the universal presence of pain. Yet, mentioning "The struggle to be free" layers the discourse, pondering whether this liberation is sought from suffering itself or an external bind. This contemplation delves into freedom's essence and its bounds:

  • Is true liberation from life's inherent suffering achievable?
  • Does freedom lie in the absence of pain or the capacity to endure and navigate it?

The introduction of "you" signifies a dramatic pivot, directing the gaze from a world of anguish to a singular beacon of desire, introducing the notion of love as a potential sanctuary:

  • Can #love offer a true respite from life's trials, or is it a mere facade of solace?
  • Is the enthusiasm of love enough, or does enduring affection require a deeper bond forged through shared tribulations?

The power vested in words, "Words are healing," underscores communication's vital role in this bond. Yet, the allure of "sweet anticipation" questions the foundation of this affection:

  • Is the allure in the escape it promises, or is there a more profound quest for genuine connection?

The closing #imagery of encroaching shadows and the past's overlay hints at love's ephemeral shelter against life's inevitable challenges, pondering:

  • Is love a fleeting refuge from life's storms, or does it give us the strength to face them anew?

Through its evocative narrative, the text mirrors the human condition's intricacies, exploring the interplay of love, language, and the perpetual quest for meaning amidst the inevitable #presence of sorrow.

Mar 3 · linkedin

We are in the middle of cloud capitalism!

Suresh Surenthiran
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Location

Greater Zurich Area