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Thibaud Elzière is a French entrepreneur and the founder of several startups.2 He was born on September 13, 1979, in Aix-en-Provence, France.2 His LinkedIn username is thibaud-elziere-a787913.4 Elzière describes himself as having "feet on the ground, head in the stars!".1 His email is elziere@gmail.com.13
Elzière co-founded Fotolia, a stock photography company, in 2004, which was sold to Adobe in 2014 for 800 million euros.2 In 2011, he co-founded eFounders, a startup studio that became Hexa in 2022, and he continues to manage it.2 Hexa specializes in creating startups by recruiting founders and providing them with an idea, initial funding, and strategic advice.2 Since 2011, Hexa has launched around 40 startups, including three unicorns valued at over a billion dollars: Front, Spendesk, and Aircall.2
Elzière has also launched other companies, including Gama Space, Iconic House, and Kate, a microcar manufacturer.2 In 2019, he became CEO of Folk, an xRM application created within Hexa.2 Additionally, Elzière is an angel investor, having invested in around a hundred startups since 2009, including Algolia, Notion, and Hugging Face.2 In 2020, he was included in Challenges magazine's ranking of France's 500 richest people.2
Highlights
We like to believe that we, as humans, have a small secret power.
A kind of magic formula. A secret sauce that AI will never quite have.
That je-ne-sais-quoi of humanity that will always leave us a place apart.
But what would it actually look like?
The ability to create something truly new? To be genuinely funny? To practice self-irony? To speak from our emotions, from lived experience? Or maybe simply the expression of our imperfection?
Or maybe we’re just telling ourselves a comforting story, and it’s only a matter of waiting for the next version of Claude.
What’s certain is that today, AI is incredibly good at doing the heavy lifting.
But when it comes to starting, it still struggles to spark the initial flame — the idea, the hook, the creative energy.
And when it comes to finishing, it hesitates — the final pixel, the last subtle edit, the line that truly lands.
So we hold on to a bit of hope. We cross our fingers.
Hoping that tomorrow, we’ll still be useful for something.

