Suggestions
Tom Campbell
Owner, Toolbox Creative
Tom Campbell is the Co-Owner and Creative Director of Toolbox Creative, a brand strategy and creative agency based in Fort Collins, Colorado. He has been with the company since January 2002, bringing over 22 years of experience in the creative industry. Toolbox Creative specializes in branding for sectors such as 3D Printing, AgTech, and CleanTech, helping clients distill complex technologies into compelling brand narratives.12
Professional Background:
Tom’s career spans several roles in graphic design and creative direction. Before founding Toolbox Creative, he worked as a Creative Director at Idea Curve, a Senior Graphic Designer at Eagle Marketing and Invision Marketing, and held design positions at BC Studios and Buffalo Brothers. He began his career as a Freelance Designer at Wolfinger Cerminaro Communications in 1994.13
Specialties:
Tom’s expertise includes brand strategy, brand positioning, and brand development. He focuses on creating visual identities, marketing collateral, and digital strategies that amplify a company’s market presence. His work often involves audience research, competitor analysis, and lead generation strategies tailored to technology-driven industries.12
Education and Interests:
Tom graduated from Temple University between 1990 and 1995. Outside of his professional life, he is passionate about hockey, music, and supporting local art initiatives. He is the "Funkmeister General" at Toolbox Creative, known for his creative flair and love for 80s hair-metal bands. He is also a co-founder of Art Lab Fort Collins, a cooperative art space in Old Town Fort Collins.45
Personal Projects:
Tom has a unique hobby of visiting and writing about Liberty Bell replicas around the world, having seen 29 of the 57 U.S. Treasury bells. He is also involved in community projects like PopUp Art Carts, which support local artists.45
Highlights
A drummer’s notes on the nature of time.
As a drummer, I’ve never been mistaken for a metronome. I’m what’s you’d call a sympathetic timekeeper. The guitar player’s heart rate and fingers speed up as they lay into their solo — I follow along and bring us back to tempo once they’re done shredding. The singer shaves off half a beat going into the second verse. I’ll catch up. That’s my job.
As humans, we prefer music that sounds natural over music that sounds perfect.
Just as a skyscraper is built to sway, tempo can sway 15–20% within a song, so long as everyone swings together. If the band is tight enough to play loose, the room will vibe. That’s how I played music for 30 years.
Until my band started playing to a click track — an electronic metronome in your headphones, mercilessly drilling the song’s tempo in your skull.
We incorporated pre-recorded tracks and guitar delays, which left no room for natural sway. When you play with a click, the click is the master. Fall out of sync, and you trigger a train wreck. It took me a humbling few weeks to follow the click without throwing my sticks across the room. It took the band over a year to sound natural again.
Time is absolute. Ticking away at 60 BPM for eternity. But timing is relative.
Consider this as you set your pace. Can you sway as you play, or do you need to stick to the click?
I pledged to write about work stuff for the middle third of my #Ship30for30 essays.
So I give you, what Iron Maiden can teach us about data analytics.
