Suggestions
David Lidsky
Executive Editor at The Ankler
David Lidsky is a seasoned journalist and editor, most recently serving as the deputy editor at Fast Company until early 2024. He joined Fast Company in March 2004 and has played a pivotal role in shaping its editorial direction, particularly in long-form narrative storytelling. His contributions helped the magazine win significant accolades, including the Magazine of the Year award from the American Society of Magazine Editors (ASME) in 2014.123
Career Highlights
- Fast Company: Lidsky was instrumental in overseeing the magazine's Most Innovative Companies franchise and has edited numerous award-winning stories. His editorial work has earned recognition from organizations like the Deadline Club and the James Beard Foundation.23
- Previous Roles: Before Fast Company, he worked at FSB: Fortune Small Business as assistant managing editor and also held a position at PC Magazine as senior associate editor.23
Recent Transition
In January 2024, Lidsky announced his departure from Fast Company to become the executive editor at The Ankler, a media outlet focused on the entertainment industry. This move aligns with his extensive experience in editorial leadership and narrative journalism.23
Lidsky holds a bachelor's degree in history from Columbia University and is based in the New York City metropolitan area.23
Highlights
I could (and perhaps should) brag more here about the work we're doing at The Ankler. But this piece is too good a yarn not to share. Andy Lewis wrote about the largely forgotten story of how Universal Studios came to compete in the Olympics. The tale also involves "Frankenstein, Adolf Hitler, Nazis, a musical set on a boat, a bank loan gone bad and the lone Jewish-American Olympian who faced the moral dilemma of going to play" as well as the fate of one of the founding families of Hollywood. Maybe it'd be chaotic if every company was run with this kind of bravado but business sure would be a lot more fun!
https://lnkd.in/gCMEBbBc
Very excited to debut The Ankler's new newsletter, Reel AI! The entertainment industry is clearly being targeted by AI companies, but too much of the coverage from inside the business is doomerish. Meanwhile, the tech world tends to cover AI with its pompoms on. What Hollywood needs is 1) a more practical, clear-eyed take on what the tech can and can't do. 2) a peer who's immersed themselves in the tools and can deliver deep insight without losing sight of the business and its creative core.
I'm delighted to be working with Erik Barmack and his colleagues, as he is precisely the kind of highly accomplished professional who can achieve these goals.
In his debut piece, Erik takes on the world of AI script readers. In this article you’ll learn: Some of the more popular AI tools for script coverage (and why you may not need a dedicated AI script-reading service)
Examples of where AI coverage falls short and can’t beat what humans can do
Real comparisons of how two AI tools wrote coverage vs. the Blacklist
The types of projects best suited for AI analysis
What the future of the industry looks like with automated script coverage
Why this doesn’t eliminate the need for talented assistants
How AI script coverage can be good for screenwriters, too
Check it out and subscribe today!
