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Russell Parsons
Editor-in-chief, Marketing Week and the Festival of Marketing at Centaur Media Plc
Russell Parsons is the Editor-in-Chief of Marketing Week and the Festival of Marketing, both prominent platforms within the UK marketing industry. He has held this position since May 2020, having previously served as the editor from January 2015 to May 2020 and as a news editor prior to that, starting his career at Marketing Week as a reporter in 2009.125
Career Highlights
- Leadership Role: As the editorial lead, Parsons is responsible for the content strategy and editorial direction across multiple platforms for Marketing Week and its associated events. He has successfully overseen initiatives that have significantly increased audience engagement and satisfaction.13
- Digital Transformation: Under his guidance, the Festival of Marketing was reimagined as a digital event in 2020, achieving record satisfaction scores and exceeding commercial targets.16
- Awards and Recognition: He won the British Society of Magazine Editors' 'New Editor of the Year Award' in 2017 and has been instrumental in launching various industry initiatives aimed at increasing accessibility to marketing education.13
Background
Parsons has a strong background in journalism, having worked his way up through various roles at Marketing Week. His experience includes managing news content, developing editorial products, and engaging with audiences through podcasts and keynote speeches.14 He is recognized as a trusted authority on marketing issues, frequently participating in panels and industry discussions.1
Overall, Russell Parsons plays a crucial role in shaping the narrative around marketing practices in the UK, contributing to both the publication and its events with innovative ideas and strategic insights.
Highlights
No The latest in what is becomjng slightly more than an occasional series - articles and ads from 80s pop culture magazines.
Given it’s garunteed to solicit warm feelings of nostalgia, I am continuing with Smash Hits, the 17-30 December 1986 issue.
And most importantly, the Readers Poll edition.
When pop-crazed kids across the country got to place their vote for best band, single and album, most fanciable, and most horrible thing of the year among many other categories.
A-ha clean up, gracing the cover and being voted best band.
Note the unfiltered comments the winners, and losers make about their and others’ placings. Unthinkable in this PR dominated age.
For example, John Taylor on being unseated as most fanciable person by Morten Harket for the first time in aeons: ‘I don’t know the guy, but I have tons more personality than him.’ Owch.
Much to think on in the best ad category. Mainly, that there was one.
I know, there was less fragmentation, and therefore more attention given to and enjoyed by advertisers. But just imagine, in 2024, asking a 13-year-old to remember an ad, never mind bother to vote for their favourite.
The BBH created Levi’s ads - ‘bath’ and ‘laundrette’ - which kickstarted an extraordinary run of spots for 501s won, of course.
Elsewhere, if anyone can explain what on earth is going on with the Schwarzkopf ad, which is either high concept genius or utter nonsense, please do.
And finally, an ad for proto internet chatroom Talkbabout, where teenagers gather to ‘talk about whatever they want with up to 9 others’.
‘It’s like a party on the phone’!
A simpler time.
What has been abstract for most of this year is starting to feel very real.
On 15 September, I am running the Richmond Marathon on behalf of Alzheimer’s Society, a wonderful charity that funds research and does brilliant work in supporting those with dementia.
If you’re able and willing, please help me to help them by sponsoring me.
Link to my Justgiving page in the comments.
I am not the youngest, and 26 miles is a really bloody long way.
It would be greatly appreciated.
Ta.
